Sigiriya, a UNESCO World Heritage site in Sri Lanka, is a captivating testament to ancient ingenuity and artistry. Rising dramatically from the central plains, this iconic rock fortress stands as a symbol of both architectural prowess and historical significance. Adorned with vibrant frescoes, intricate gardens, and the remnants of a once-grand palace, Sigiriya transports visitors back in time to the reign of King Kasyapa, offering a glimpse into the island's rich cultural heritage and royal legacy.

Located in Kurunegala, belonging to the North Western Province of Sri Lanka, the Yapahuwa ancient fortress rises to a height of 90 m above the surrounding plains. Built by King Buwanekabahu the First, as the capital of Sri Lanka in 1301, today, the Royal residence, the Temple of Tooth Relic, the battle defenses are in ruins. The ruined walls of Yapahuwa form a rough semicircle. The ends join the foot of the high steepsided rocky granite outcrop. The outer fortification, an earthen rampart which extends to about a mile is about 20 feet in height. Over the rampart are the ruins of a brick wall that was erected to protect the interiors. Around the rampart was a moat. Access to the fortress was by means of the three gates that were connected to three causeways. Within this rampart was an inner fortification: a stone wall, 12 feet in height and about 500 yards long with a moat outside it and with two gates.

This statue of the Buddha has two names;one is Rasvehera and the other is Sasseruwa.It is called Rasvehera because on the day the Sacred Bo Tree was brought from Anuradhapura and planted at this premises the rays of Lord Buddha illuminated around the place. Rasvehera statue bears similar profiles to the Aukana Buddha statue.But there is a world of difference between the structures of these two Buddha statues.The Aukana Buddha statue is taller and stands 46 feet in height. while Sasseruwa is 36 feet in height.This Rasvehera statue is carved into a rectangular frame in the rock boulder without the head decoration;The Siraspatha but portrays dots for the hair.The symbolic Mudras (gestures) depicted here differ from each other.In comparing all visual purposes, from the sculptured features on the Rasvehera Buddha statue it comes into view that it had been an unfinished state of sculpturing for reasons known only to this great unknown sculptor.